About the Project
Fotohistorias is a Participatory Photography project that documents the life stories of migrants in the North, in the South, and at the US-Mexico Border, to help surface the richness, diversity and depth of their roots, experiences, and aspirations. As an example of what de Souza Santos calls Sociology of Emergence, this project offers a counter-narrative that demonstrates the power of their determination, re-valorizes their human dignity and their contribution to society.
In Fotohistorias elicit how immigrant day laborers, recently deported immigrants, and prospective migrants in their place of origin reflect their values and culture through photos and stories. In particular, we seek to understand what are the essential elements of everyday life for immigrants at the transition point of the US-Mexico border, in their community of origin, and in an established location such as Seattle, and how transience, identity, and culture reflected in the pictures taken and the stories told by immigrants.
We worked with several nonprofit organizations: Casa Latina, in Seattle, WA, and El Comedor, in Nogales, Mexico, as well as community organizations in Cali and Bahía Málaga, Colombia. Members and beneficiaries of these organizations were invited to participate in the project, which included (1) participatory photography, and (2) life stories elicited through the photos. The work in Nogales explored the experience of the immigrants at the turning point of their migration process, the transience of a shelter on the side of the US-Mexico border. Work in Seattle explored the experience of the immigrants as they settle in their (generally precarious) existence as day laborers. Work in Colombia explored the experience of migrants as they dreamt of migration or returned to their place of origin.